I wonder if Leo Prina loves yellow or is it just the first kind with which it decided to test? Certainly his successful debut in this editorial widens the margins of the yellow and the contemporary noir. And it does so very engaging.
Reading between the lines of her "The Girl of the days of" emerging ways in fact, virtues and vices of a society in constant evolution (or devolution), which is revealed (quietly) for a moment, turning the spotlight on ' careerism and professional caste, the sense of invulnerability of the politicians, the desire for elbowing of employers and the world around it, seen from above, it seems an ant suddenly uncovered. The author does not ever going to leave value judgments, but his narrative in this tight, almost cult TV series (at NCIS, Criminal Minds, Cold Case or Without a Trace in the way) actually invites the reader to wonder on the human rutile to an end, the sense of this dizzying human race out of breath.
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